Professional French Male Voice Over Services
Benoît offers you his professional male voice-over services, where sound quality, experience and versatility come together to bring your audio projects to life. With over 10 years of experience and equipped with professional equipment, we are the ideal partner for a wide range of voice-over needs, from digital marketing to audiovisual productions.
Our commitment: to provide the detail that will make the difference through voice.
By what means ? By offering impeccable sound quality, exemplary responsiveness and a unique ability to modulate our voice to adapt to your vision. Explore how we can transform your message into a captivating listening experience.
A quick update: what is a Voice Over?
Very often, when people talk about the profession of professional voice-over artist, the phrase that comes to mind is: “Ha? Are you dubbing cartoon or movie characters? <yep, I dub them on Flik Flok!
So, yes, I also do dubbing (dedicated page to come!!!!), but in the collective unconscious, Voice talent is a bit like the weather: FLOU.
So here's a brief introduction, not an exhaustive one, but designed to clear up any confusion:
Voice talent, voice-over and dubbing are practices/ exercises/trades, each one in a different style (their only have in common voice and acting skills):
- A voice-over talent is the voice of an actor who does not appear on screen. He can be a narrator and/or a character in a story, as in the case of flashbacks for instance.
- Voice-over (in French way) involves superimposing a translated voice over the original. The original language is retained in the background.
- Dubbing, on the other hand, replaces the original voice more or less entirely (sometimes the actors' “reactivity” is retained) with a voice interpreting a translated text that has been previously adapted to the language of the target country, and synchronized with the image (synchronization of the actor's lip movements and the dubbed sound, thanks to the detection stage).
Our Voice Over Services for your projects
Every project has a vision, a message to be conveyed, an emotion to share. The voice that carries them must match your requirements and ambitions. With Benoît Carry, you have access to a wide range of voice-over and dubbing services tailored to your needs: from educational audioguides to corporate films, E-learning content and all types of narration, played, rhythmic or, why not, explosive!
Harness the power of a chameleon voice, recorded on your preferred premises, or in a home studio equipped to guarantee professional sound results.
Trust our expertise to make your project resonate with impact and clarity!
E-Learning and tutoring:
Whatever our field or year of age, learning is essential. E-learning, thanks to the voice, offers a more captivating and impactful approach than reading alone. With the right artistic direction, E-learning with voice-over can easily be adapted to all possible target audiences: children, teenagers, employees, young adults, people with disabilities, senior citizens, etc.
Forms of narration:
documentaries, audio books, corporate videos, children's audio books, audio guides, immersive books, docu-fiction...
Telling, narrating, exposing, explaining, transmitting... we use narration every day when we talk to our family, friends or colleagues. Whatever the subject, whatever the form of narration (text only? Accompanied by music? With a natural ambience? Sound effects? Different sound effects?) the “dosage” of intentions (moving, arousing curiosity, complicity, formality, sharing, passion, patience, pedagogy...) and emotions (joy, anxiety, sadness, admiration, amusement, wonder...) or even the address (“who are we talking to?”) are essential elements in the scope and comprehension of a narrative.
Two other voice professions: voice-over and dubbing.
In the audiovisual world, « French voice-over » involves superimposing a translated voice over the original. The original language is retained in the background.
The richness of vocabulary and clarity of elocution are paramount in this form of adaptation. This practice - and this is one of the major differences with dubbing - does not take into account lip and mouth movements, commonly known as “lip-synch”.
Voice over is mainly used in 6 types of audiovisual creations aimed at a general or professional audience:
⁃ For documentaries
⁃ In series.
⁃ In interviews broadcast on news channels.
⁃ For news reports.
⁃ In reality TV programs.
⁃ In commercials, ads.
Why Choose our Male Voice Over Services?
Experience and Professionalism
Drummer and singer with various band experiences, self-taught guitarist, trained as a singer at M.A.I in Nancy in 2011 (formerly Centre Musical Créatif de Nancy), solo guitar-voice as an author-composer-performer registered with Sacem, volunteer in a café-concert (Catering Café Music) for more than 20 years, during which I was able to discover all the jobs, from sound to lighting to welcoming artists and customers.
Sound design training at the ACFA Multimedia school, with the RNCP bachelor's degree equivalent, certified “USER” PROTOOLS (certifications 101 & 110), direct sound recording on set, foleys, edits, sound dressings, mixing and mastering soundtracks for several short films (“La petite Mort” (2019) , “Sed Libra nos a malo” (2020), “Falling Out” (2022) by Jack Salvadori, Sound mixer on “Runaway Killers” (2023) by Nacho Martin Sierra), documentaries (“The Lord of the circles” (2020), by Sarah Gonzalez Centeno; “Open your eyes: les algues” by Maxent foulon (see the documentary on youtube), Galathea d'or de l'environnement 2022).
Amateur theater, improvisation classes at Improvidence in Lyon, certified training in “voice-over techniques” and “Master class 100% Micro” at the Vox Populi voice school.
It's in this continuity and through the recognition of my professionalism by my various clients (see home page) employers, encounters, colleagues... that my career path has enabled me to gradually develop the various voice professions.
Although often described as atypical, this career path (alongside a job as a forklift operator with a “big” name in the metal industry) has forged the discipline and dedication that I take pleasure in putting to work to meet your expectations and bring your projects to fruition. Let's work together.
Drummer and singer with various experiences in groups, self-taught in guitar, trained in singing at the MAI in Nancy in 2011 (formerly Centre Musical Créatif de Nancy), solo guitar-voice as a singer-songwriter and performer registered with Sacem, volunteer in a café-concert ( Catering Café Music ) for more than 20 years during which I was able to discover all the positions, from sound to lighting to welcoming artists and customers.
Training in Sound design at the ACFA Multimedia school, with obtaining the RNCP title equivalent to a license , certified "USER" PROTOOLS (certifications 101 & 110), direct sound recording during filming, foleys, editions, sound design, mixing and mastering of the soundtracks of several short films (" La petite Mort " (2019), " Sed Libra nos a malo " (2020), " Falling Out " (2022) by Jack Salvadori,
Sound mixer on " Runaway Killers " (2023) by Nacho Martin Sierra ), documentaries (" The Lord of the circles " (2020), by Sarah Gonzalez Centeno ; "Open your eyes: algae" by Maxent Foulon ( see the documentary on youtube ), Galathea d'or de l'environnement 2022).
Amateur theater , improvisation classes at Improvidence in Lyon , certified training in “voice-over techniques” and “100% Micro Master class” at the Vox Populi voice school .
It is in this continuity and through the recognition of my professionalism by my various clients (see home page), employers, meetings, colleagues... that my career has allowed me to gradually develop the various voice professions.
Although often described as atypical, this career path (alongside working as a forklift driver for a "big" name in metallurgy) has forged the rigor and involvement that I enjoy putting at the service of your expectations, on each of your projects.
Professional sound quality
During my years as a member of an association (Catering Café Music mentioned above), I was able to broaden my knowledge in terms of equipment, through studio and live sound recording, but also and above all through encounters with passionate artists in direct contact with the equipment that makes their passion(s) their profession.
This knowledge was reinforced and deepened during my vocal training, and also during my sound design training, because no, it's not all about two clicks on a mouse.
Further sharpening my ear, but also my requirements, I couldn't see myself going to meet my customers with a recording made with a kit “my first microphone” found on a platform like Amawish or Témuzon , just to say.
That's why my set-up is made up of a top-of-the-range microphone (the famous Ehrlund M, with its triangular capsule), a vintage analog pre-amp, and an SSL 2+ sound card for high-quality digital signal retranscription.
During my years in association (Catering Café Music mentioned above), my knowledge in terms of equipment was able to expand, through studio and live sound recording , but also and above all through meetings with passionate artists and in direct contact with the equipment that makes their passion(s) their profession.
This knowledge was reinforced and deepened during my training in singing , and also during my training in Sound design , because no, all of this does not come down to two clicks on a mouse...
Further sharpening my ear, but also my requirements, I could not see myself going to meet my clients with a recording made with a "my first microphone" kit found on a platform like Amawish or Témuzon, not to name them.
This is why my setup consists of a high-end microphone (the famous Ehrlund M , with its triangular capsule), a vintage analog preamp , as well as an SSL 2+ sound card which allows a high-quality digital transcription of the signal .
Vocal Versatility
“I've often been asked to do voices. When I was younger, rehearsing Michel Courtemanche sketches with his accent (if you have the ref, yes, you're older than you think), or the lines from The Mask, Les Zinzins de l'espace, etc...it was fun. But professionally speaking, it's a different story: some voices can be very tiring over the long term, because they're physically demanding (monsters, witches, head voices...) all that takes maintenance!
In short, we keep our little recipes in a corner of our head, sometimes drawing on several characters to create one.
But beware: a character is not defined solely by the characteristics of his voice: his tone, his diction, his articulation, even his slight mispronunciations, can all be powerful vectors for conveying a message.
Finally, “having a good voice” or “being able to do voices” is not enough to be a voice-over artist, and even less so for being dubbing actor, where you need to be a very good actor, in addition to mastering triangular reading and the codes specific to the Lip-Sync Bands.
In short, as you'll have gathered, it's through hard work and daily exercises, as well as a systematic warm-up before each session, that I'm able to maintain and offer you a chameleon voice that's always in tune with your project and that targets your audience.
"Doing voices", I've often been asked. When I was younger, redoing Michel Courtemanche sketches with his accent (if you have the reference, yes, you're old), or even the lines from The Mask, Les Zinzins de l'espace, etc... it was fun. But professionally speaking , it's another story : some voices can be very tiring in the long term, because they are physically demanding (monsters, witches, head voices...) all of this needs to be maintained!
Over time, we keep our reflexes, we create characters , in short: we keep our little recipes in a corner of our head, sometimes drawing on several characters to create one .
But be careful, a character will not be defined only by the characteristics of his voice: his tone, his diction, his articulation, his possible small pronunciation defects , can absolutely be powerful vectors for transmitting a message .
Finally, "Having a beautiful voice" or "being able to do voices" is not enough to be a voice-over artist , and even less so to be a dubbing actor , where you must first and foremost be a very good actor, in addition to mastering triangular reading and the codes specific to rhythm strips.
In short, you will have understood, it is work and daily exercises , in addition to a systematic warm-up , to avoid breakage, before each session, which allow me to maintain and offer you a chameleon voice to always be in phase with your project and reach its target audience .
Responsiveness and customer relations
Working as a team under your direction is a priority.
Making of every project THE project that will have an impact and a substantial return on investment is undoubtedly one of your priorities: so we're made to get along.
Delivery between 24 and 48 hours (upon signature of the quote) depending on our exchanges, fast and detailed quotes, sliding scale rates according to the volume and recurrence of the assignments entrusted to us, possibility of editing sound to image (subject to providing a time-code or sample track, see T&Cs ).
Voice is my only activity, and not a “hobby”, but a professional activity for which I have trained, for which I continue to train (there's always more to learn!) for which I have invested in appropriate equipment... just like you, I'm sure, for your business!
A human being at the service of human beings, exchange and sharing will enable us to sublimate your project and allow it, allow you, to make the difference.
Working as a team and under your direction is a priority .
Making each project THE project that will have an impact and a significant return on investment is undoubtedly one of your priorities: we are therefore made to understand each other.
Delivery between 24 and 48 hours (upon signature of the quote) depending on our discussions, quick and detailed quotes, decreasing prices depending on the volume and recurrence of the missions entrusted , possibility of editing the sound to the image (subject to providing a time-code or witness track, see the T&Cs ).
Voice is my only activity , and not a "hobby", but a professional activity for which I trained, for which I continue to train (there is always something to learn!) for which I have invested in adequate equipment... just like you, I am sure, for your activity!
Human in the service of humans, exchange and sharing will allow us to enhance your project and allow it, allow you, to make a difference.